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Written & directed by Ain Gordon
in partnership with Josh Quillen

Premiere 202#. Contact:


Relics And Their Humans (working title) represents a second collaboration for Gordon and Quillen following Radicals In Miniature which premiered at the Baryshnikov Arts Center in 2017, garnering a New York Times Critic’s Pick, and toured New England throughout 2018/2019. This new project sources “amateur museums” including ones in an abandoned bank and an active funeral parlor, alongside stories of an obsessive virtuosic carver nicknamed “Mooney” (who saved every project’s shavings in labeled jars) and familial histories of collecting gone painfully awry. Gordon and Quillen have already conducted a research trip to Dover, Ohio (where Quillen grew up) visiting the funeral parlor, abandoned bank and Mooney’s house-museum, and begun delving into Gordon’s grandfather’s disastrous coin collection (collecting requires a fidelity he could never manage) and Quillen’s mother’s Hallmark Christmas ornament collection (she buys two of each ornament – one for now, one for backup). 

Josh Quillen has forged a unique identity in the contemporary music world as all-around percussionist, expert steel drum performer (lauded as “softly sophisticated” by the New York Times), and composer. His collaborations with other composers frequently incorporate the steel drums as a core element. A member of the acclaimed ensemble Sō Percussion since 2006, Quillen has performed at Carnegie Hall, the Brooklyn Academy of Music, The Lincoln Center Festival, Stanford Lively Arts, and dozens of other venues in the United States. In that time, Sō Percussion has toured Russia, Spain, Australia, Italy, Germany, and Scotland. He has had the opportunity to work closely with Steve Reich, Steve Mackey, Paul Lansky, David Lang, Matmos, Dan Deacon, and many others. Quillen started performing on the steel drums at Dover High School in Ohio, an interest that continued at the University of Akron, where Dr. Larry Snider founded one of the first collegiate steel bands in the United States. He traveled to Trinidad & Tobago in 2002, performing with the Phase II Pan Groove ensemble under Len “Boogsie” Sharpe. This interest in the traditional steel drum music of Trinidad ran in parallel with Quillen’s education in western music, first at Akron, and then at the Yale School of Music with marimba soloist Robert Van Sice, where he received his Masters degree in 2006. These interests led Quillen to break ground in the use of the steel drums in contemporary classical music. To date, he has commissioned over a dozen pieces for steel drums from composers such as Stuart Saunders Smith, Roger Zahab, Dan Trueman, and Paul Lansky. In 2010, Steven Mackey’s quartet It Is Time, commissioned for Sō Percussion by Carnegie Hall and Chamber Music America, featured Josh on a new microtonal lead pan in its Carnegie Hall premiere, receiving rave reviews in the New York Times. Quillen’s compositions for Sō Percussion are featured in Imaginary City, an evening length work that appeared on the Brooklyn Academy of Music’s 2009 Next Wave Festival, as well as the site-specific Music for Trains in Southern Vermont. Other ensembles to play his pieces and arrangements include Matmos, PLork, The Janus Trio, Adele Meyers and Dancers, The University of Akron Steel Band, and the New York University Steel Band. An avid educator, Quillen is a performer-in-residence at Princeton University with Sō Percussion, as well as co-director of the Sō Percussion Summer Institute, an intensive workshop for college-aged percussionists on the campus of Princeton University. He is also co-director of the percussion program at the Bard College Conservatory of Music, and is the director of the New York University Steel Band.

Photos courtesy of CES CT

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